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Lavie Tidhar

Fiction and Excerpts [15]
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Fiction and Excerpts [15]

Five SFF Books About Crashed Spaceships

Who doesn’t love a crashed spaceship? There is always a mystery, the promise of—what? Treasure? An alien monster hiding in wait? Maybe both! Something, at any rate, is there, in the ruined grandeur of a vast technological marvel. Who can resist it?

Not me, that’s for sure. I put one in Neom, my new SF novel from Tachyon, set in the world of Central Station. This one’s “the Compassionate Heaven, a cargo ship out from Mars on an Earth run,” which somehow crashed deep within the Sinai Desert, stories of treasure swirling round it for years. But when we find it, it has long been empty.

It’s one of those fun tropes, cropping up everywhere. I have a love of old SF, so these ships have been abandoned for a while! What’s your favourite? Here are five of mine.

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Series: Five Books About…

Celebrating International Speculative Fiction: Lavie Tidhar on The Best of World SF Anthology

I spent the past decade trying to pitch a simple idea to publishers: a mass market anthology of international speculative fiction for the bookstore shelf. The responses varied from, well, no response at all to an under-an-hour rejection (that one still hurts).

The idea is simple and, to me, both logical and necessary. I am of that new generation of writers who grew up in a language other than English, and who decided at some point that our way in is to write in this peculiar, second language. Somehow, we reasoned, against all odds and common sense, we’ll break through into that rarefied Anglophone world, maybe even make a go of it. After all, how hard could English be?

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The Telling Is The Tale: Who Owns the Legend of King Arthur?

Is an Arthurian story a telling or retelling? What are the Arthurian mythos, exactly? And was Merlin really an old dude with a big bushy beard, or do we all just remember it wrong?

To answer these questions, I chose the only path one could, reasonably, take: that is, I got dropped, through no fault of my own, into teaching a group of American undergrad students an advanced literature course on British Fantasy Fiction.

How and why and are you mad? are probably questions for another time and story.

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In Xanadu

Security through physicality. Security through redundancy. Security through obscurity.

How do immortal artificial intelligences defend themselves? With an air gap. With a security force that has no connection to anything that can harm them. With a young woman, trained to fight and to die who, along with her cohort must keep them safe. But In Xanadu things don’t always go as planned…

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Five Fantastical Heroines in Great Children’s Books

My first children’s novel, Candy, is out now from Scholastic UK, and forthcoming soon in several European countries. This is as surprising to me as it must be for anyone who realises my last book in the UK was about Adolf Hitler, but there you go! Candy is about a 12 year old girl detective, Nelle Faulkner, in a world where chocolate has been made illegal and children now run the candy gangs…

Which got me thinking of some of the classic heroines in children’s books that continue to have such a resonance to this day, and who must have been in the back of my mind as I was writing! No doubt I’ve missed many—Meg from A Wrinkle in Time? George from the Famous Five? Anna from Mister God, This is Anna? Dorothy? Hermione? You tell me!—but these five in particular stood out for me as I was writing.

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Series: Five Books About…

Five Classic Science Fiction Stories That Helped Shape Central Station

Central Station, my new SF novel from Tachyon Publications, is itself a sort of homage to a bygone era of science fiction, one in which many novels were initially published as more or less self-contained stories in magazines before being “collected” into a book. Appropriately, Central Station corresponds with many other works of the corpus of science fiction, though perhaps not always the obvious ones. Here are five novels that helped shape my own work.

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Series: Five Books About…

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